My Work:

“Dream of a Night in Ghiza”

Time NU : Introduction

I My creation is inspired in recurrent dreams that I had at the beginning of the year 2002, where I saw a lady of young age, average stature, white skin, elegant, thin and black hairs, standing against a dry desert ( GIZA ), in a windy night contemplating the spectacle of three pyramidal monuments, with the black firmament behind . Here is just where I interpret the lady, or better said, the personage dreams through my work, my paints represent instant moments of her dreams and who writes relates the experiences of her, that many years later is transformed into Princess and later in Egyptian Queen, being fundamental factor in her civilization and subsequent Dynasties, in all the mystical and religious aspects fundamentally.

I confess my absolute ignorance about the subjects of Egyptian Mythology as well as about Egyptology. My knowledge is the common one, and is purely intuitive and product of instant sensations. Contrary to which it could be supposed, that first I created a story and later I illustrated certain passages of the same one, it is not so. First I felt in the necessity to paint something, by an impulse which I could not still define, and then when I concluded it, I obtained a piece of a puzzle, hoping the moment and the suitable place to assemble it with the others. Because of this, it does not exist a chronological correlation between the pictures and its location in the 41 times of the present story, that is, just after a year joining works, I realized that I was painting a story

In the same way, just much later (sometimes months) after I had concluded some painting, I took notice that which I had painted would correspond to a certain place in the series. It is a subject purely intuitive... With respect to the present collection, I emphasize the almost constant presence of the sun (RA) in practically all the paintings. The stars and the Sun, like factor of Life and source of mystical inspiration. The idea and appearance of the Sun is so important that throughout the story it is seen under the aspect of a yellow sun, another red and a giant one of a distant planetary system and infinite suns (the stars) within the Milky Way (the Nile river, for the Egyptians).

Also the common presence of regular geometric figures (equilateral circumferences, triangles, etc) and prismatic figures are constant in several paintings (spheres, pyramids, tetrahedrons reing. Also day-night scenes appear, as representative element of one of the most important principles of our universe: the duality.

 

 

At Time 0 she is seen seated at the edge of the Nile River on a moonlit night. She is still a young princess, she used to sit down by the river on clear nights to meditate, and through this to connect herself with Infinite Harmony, as if sensing the fantastic adventure that she was going to experience, that would carry her beyond the known firmament....


 
"River Nile maditation"
Oil on canvas/ 15 3/4" x 19 3/4".

 

At Time 1 She is standing on a grey, metallic platform on a windy night, in the middle of the desert, the constellation (photo 1) of Orion as a witness, observing three pyramidal monuments, that though at first she did not understand, in successive dreams she would find answers. ....



"Initial dream"
Oil on canvas 23 1/2" x 19 1/2".

 

At Time 2 she is invited to rise from the platform and is introduced to a fantastic place that she did not know, and is brought in as a guest and prepared to undertake an incredible voyage. At this point we can infer that she was physically or spiritually prepared to undertake this journey. During this preparation she is made ready (in her humanity or in her spirit) for this voyage, in a process that elevated her human condition more than has ever been known , and as such, she is able to dominate the possibilities to be moved through space-time, and consequently to make incredible journeys...

 


ht, in the middle of the desert, the constellation (photo 1) of Orion as a witness, observing three pyramidal monuments, that though at first she did not understand, in successive dreams she would find answers. ....

 
"Preparation for the trip"
Oil on panel 17 3/4" x 13 3/4".

At Time 3 - already prepared to make that “voyage”, she is seen arriving at a zone of space where there is gravitational collapse, a singularity, a black hole. .and having been “prepared”, for such eventuality, she is invited to get in it. ... As a result of this, our princess is conducted through this singularity and emerges in another place of space – time, unknown and distant, perhaps in a parallel universe... (Material or spiritual. ...) This is how she arrives at the proximity of a planet whose basic color is green (as opposed to ours that is pale blue), in a system ...with 2 suns: a young star similar to our yellow sun and a dying, old, and red giant star, in process of death. ... With all the dramatic consequences that such event implies for the orbital planets.



"Trip through a singularity"
Oil on canvas panel 20" x 16".

 

 

At Time 4 we see how she is conducted in body and spirit, thanks to prior preparation, through her fantastic journey that carries her into a distant solar system in space and in time. An incredible experience.



"Astral trip"
Oil on canvas 35 1/2" x 27 1/2".

At time 5 , she has arrived at that planet and is seen seated on the surface observing the constructions, the technology, the landscape, the two suns... This instant, a fundamental point in this collection, was originated from a fertilecreative moment (at the end of the year 2002), where without doubt, and due to a dream, I materialized an image, that functions like catalyst of the whole story.... ..Our protagonist contemplates with peace and harmony the details of “magical” places, incredible for beings of her dimension, naked and without special cares, therefore, all the environment keeps resonant with her body, nothing is lethal



"First glance"
Oil on canvas panel 19 3/4" x 15 3/4".

 

At Time 6 we see how our princess is received, accepted and educated, (in the middle of an assembly of special beings, (in a high precinct closed in the middle of a great city) about the secrets of Life, Nature and the Universe. In this plan of the facts, we see as giant screens of virtual reality specify in a graphic way the origin of the Life in the Universe, she is taught that of the Physical and Chemical science is the same everywhere (undoubtedly unique in each corner of the Universe and of the Space – Time we know), also she is taught to recognize Life as a marvelous corollary of intricate processes of energy exchanges. These are unique and specific and they materialize “magic” molecules and she is induced to accept the origin of her race, as related genetically with that of her hosts.. All this in an environment of harmony, technical terms and fraternity


 
"Knowledge introduction"
Oil on canvas panel 24" x 20".

At Time 7, as she looks at a mirror, she sees one of the beings, and when she raises her right hand she projects a magic molecule of life (DNA), that undoubtedly is the same in its substantives properties as that of her hosts. She receives the message: she is basically the same as them. ... Life is an universal phenomenon independent of the place and of space time. ....



"Universal mirror"
Oil on canvas panel 15 3/4" x 11 3/4".

 

 

At Time 8 , she is seen acquiring the key concepts, the religious mysticism that generates scientific knowledge. She, like her universal ancient equals, is educated in the fundamentals of mystical wisdom that are also universal and generators of knowledge, and consequently of technology. The place: a high place, the setting: a technological wing, outside the suns, the city, its means of communication, the teachers, the universal brotherhood. And in the background, a mystical structure: the pyramid, as a material construction channelling fundamental energy. She is taught about the “magic” of the geometric figures (triangle, square, circle, tetrahedron, etc, etc) and, in essence, she is taught how to draw order and universal wisdom with geometrical figures.She is taught in the sense that the state of Resonance with the Universal Harmony, that is to say the state of Eternal Happiness, is a state that manages on passing for all the previous “stadiums”. Who arrives to Knowledge, develops Technology, who has Technology and Religious base, elevates its being mystically to reach the Universal wisdom, that at the same time the knowledge and Technology Brings us. Which means, the Technology should be the key that exclusively carry us to levels of Religion and transcendental Mystic. Serious error when some beings remain stagnant in the technology, by the technology in it same, therefore cut the “resonance” and devaluate the cycle and expose to all and to himself to incredible atrocities, as had happened throughout this planet, from prehistoric times...

 

When this happens there is arbitrariness, fanaticism, war, the exploitation of man by man, injustice, hatred, and illnesses and plagues, that are nothing more nor less than states of energy imbalance caused by not being able to resonate in time with the Universal Harmony.



"Mysticism introduction"
Oil on canvas 23 1/2" x 19 1/2".

At Time 9 , she is educated how to elevate her being in the same way that her Hosts do , by means of rites and ceremonies celebrated in the Mystical Temples. Rituals that permit to establish links with the Universal Harmony. The Temple , as she sees it, is made from something like glass, and on its peak, a kind of energy is seen as it flows toward the firmament. This is the Energy that is produced inside, when the beings inside start resonating with the Universal Harmony. ...even living in the material stage. ...On the background the city, the suns. ... A fascinating experience….

 



"Mystical temple of evaluation"
Oil on canvas 23 1/2" x 19 1/2".

 

At Time 10 , we see the same temple from the interior. Transparent walls, the two suns almost in culmination, and in the centre she sees a geometric device that seems to her to be like the two pyramids, one inside the other, turned upside down, and this generates the energy that rises to the peak when the beings resonate…. A technological wonder that helps and is a vehicle so that the minds of the beings join with the Universal Harmony. ...



"Interior of the Mystical Temple"
Oil on canvas 31 1/2" x 23 1/2".