My Work:

 Tale of "Dream of a Night in Giza ”

(See the artwork and read the tale)

 Time NU: Introduction

My creation is inspired in recurrent dreams that I had at the beginning of the year 2002, where saw a lady of young age, average stature, white skin and elegant, thin, black hair and standing against a dry desert (GIZA), in a windy night contemplating the spectacle of three pyramidal monuments, with the black firmament crashed of fund. Here is just where I interpret the lady, or better said, the personage dreams through my work, my paints represent instant moments of her dreams and who writes relates the experiences of her, that many years later is transformed into Princess and later in Egyptian Queen, being fundamental factor in her civilization and subsequent Dynasties, in all the mystical and religious aspects fundamentally. ....

I confess my absolute ignorance about the subjects of Egyptian Mythology as well as about Egyptology. My knowledge is the common one, and is purely intuitive and product of instant sensations. Contrary to which it could be supposed, that first I created a story and later I illustrated certain passages of the same one, it is not so. First I felt in the necessity to paint something, by an impulse which I could not still define, and then when I concluded it , I obtained a piece of a puzzle, hoping the moment and the suitable place to assemble it with the others. Because of this, it does not exists a chronological correlation between the pictures and its location in the 41 times of the present story, that is, just after a year joining works I realized that I was painting a story.

In the same way, just much later (sometimes months) after I had concluded some painting, I took notice that which I had painted would correspond to a certain place in the series. It is a subject purely intuitive... With respect to the present collection, I emphasize the almost constant presence of the sun (RA) in practically all the paintings. The stars and the Sun, cover all our star king, like factor of Life and source of mystical inspiration. The idea and appearance of the Sun is so important that throughout the story it is seen under the aspect of a yellow sun, another red and a giant one of a distant planetary system and infinite suns (the stars) within the Milky Way (the Nile river, for the Egyptians).

Also the common presence of regular geometric figures (equilateral circumferences, triangles, etc) and prismatic figures are constant in several paintings (spheres, pyramids, tetrahedrons regular,etc) that even bring to the imagination the idea of perfection and the idea of the human being. Also day-night scenes appear, as representative element of one of the most important principles of our universe: the duality
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In the Time 0 she is seen seated at edges of the Nile River in a night of Moon. Young princess still, she used to sit down by the river in clear Nights to meditate and through this to connect herself with the Infinite Harmony, as sensing the fantastic adventure that would be going to experience, that would carry her further than the known firmament. ...
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In the Time 1 it is seen stand, on a gray, metallic platform, in a night of wind, in the middle of the desert the constellation of Orión as witness, observing three pyramidal monuments, that though in principle did not understand, in successive dreams, would find answers. ....
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In the Time 2 she is invited to rise the platform and is introduced to a fantastic place, that she did not know and is induced, guest and prepared to perform an incredible trip. At this point we can infer or that was physics or spiritually prepared to carry out this trip. During this preparation, she is put ready (in her humanity or (photo 2) in her spirit) for such trip, in a process that elevates her human condition but there of her known, and as such is capable to dominate the possibilities to be moved through the space – time, and consequent, to carry out incredible trips. ...
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In the Time 3 she, already prepared to perform that “trip”, it is seen arriving at a zone of the space where exists a gravitational collapse, a singularity, a black hole. ..and having been “prepared”, for such eventuality, she is invited to be introduced in it. ... As they turned out of it, our princess is conducted through this singularity and (photo 3) emerges through another in another place of the space – time, unknown and distant, perhaps in a parallel universe.... (Material or spiritual. ...) This is how she arrives at the proximity of a planet whose basic color is the green one (as opposed to ours that is blue pale), in a system ...with 2 suns (binary), a young similar to our sun (yellow) and a dying, old, and red giant, in process of death. ... With all the dramatic thing that such event implies for the orbital planets.
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In the Time 4 we see as she is conducted in body and spirit by means of its prior preparation, through her fantastic trip that carries her into a distant solar System in the space and the time. An incredible experience
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In the time 5, we see as she, having arrived at that planet, is seen seated on the surface to observing the constructions, the technology, the landscape, the 2 suns. ... This instant, key point in this collection, was originated from a fertile creative moment (at the end of the year 2002), where without doubt, and due to a dream, I materialize an image, that functions like catalyst of all the same history. ....Our protagonist contemplates with peace and harmony incredible details of “magical” places, incredible for beings of her dimension, naked and without special cares, therefore there, all the environment keep resonant with her body, nothing is lethal....

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In the Time 6, we see like our princess is received, accepted and educated, (in the middle of an assembly of special beings, in a high precinct closed in the middle of a great city) about the secrets of the Life, Nature, the Universe. In this plan of the facts, we see as gigantic screens of virtual reality specify in a graphic way the origin of the Life in the Universe, she is taught that of the Physical and Chemical science is the same everywhere (undoubtedly unique in each corner of the Universe and of the Space – Time we know), also she is taught to recognize the life As marvelous corollary of intricate processes of energy exchanges. These are Unique and specific and they materialize “magic” molecules and she is induced to accept the origin of her race, as related genetically with that of her hosts.. All this in an environment of harmony, technical terms and fraternity.
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In the Time 7, as she looks at a mirror, she sees one of the beings and when she raise her right hand, projects a magic molecule of Life (DNA), that undoubtedly is the same one, in the substantives aspects (photo 7) to that of its hosts. The message arrives to her: she is basically equal to them. ... Life is an independent Universal phenomenon of the place and of thespace time. ....
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In the Time 8, she is seen acquiring the key concepts, religious mystics that generates the scientific knowledge. She, like her universal ancient equals, is educated in the bases of the mystical wisdom that, is also Universal and generator of the knowledge and consequently of the technology. The place: a high place, the setting: a technological wing, outside the suns, the city, its ways of communication, the Teachers, the Universal Brotherhood, and in the background, a Mystical structure: The Pyramid, as a material construction channeling The Fundamental Energy. She is taught about the “magic” of the geometric figures (triangle, square, circumference, tetrahedom, etc, etc) and, in essence, she is taught how to draw the Order and the Universal Wisdom with geometrical figures. She is taught in the sense that the state of Resonance with the Universal Harmony, that is to say the state of Eternal Happiness, is a state that manages on passing For all the previous “stadiums”. Who arrives to Knowledge, develops Technology, who has Technology and Religious base, elevates its being mystically to reach the Universal wisdom, that at the same time the knowledge and Technology Brings us. Which means, the Technology should be the key that exclusively carry us to levels of Religion and transcendental Mystic. Serious error when some beings remain stagnant in the technology, by the technology in it same, therefore cut the “resonance” and devaluate the cycle and expose to all and to himself to incredible atrocities, as had happened throughout this planet, from prehistoric times... When this happens, arbitrariness happen, fanaticisms, wars, exploitation of the man by the man, injustices, hatreds, and but there even, the Illnesses and plagues, that are neither but neither less, states of Energy imbalance, originated from not being able to resonate with the Universal Harmony.


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In the Time 9, she is educated how to elevate her being in the same way that her Hosts do it, by means of rites and ceremonies celebrated in the Mystical Temples. Rituals that permit to establish links with the Universal Harmony. The Temple , as she sees it. It is made from something like glass, and on its peak, it is seen as flows a kind of Energy toward the firmament, the Energy that is produced inside, when the beings inside start resonating with the Universal Harmony. ...even living in the material stage. ...On the background the city, the suns. ... A fascinating experience….
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In the Time 10, we appreciate the same Temple since the interior. Transparent walls, the 2 suns almost in culmination and in the center she recognize a Geometric device that reminds her as like as 2 pyramids, one inside of the other, turned up side down that generates the Energy that elevates to the peak when the beings resonate…. A technological wonder that helps and is vehicle so that the minds of the beings join with the Universal Harmony. ...
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In the Time 11, she is invited to witness a dusk in the planet of our history, the 2 suns, an natural satellite ( moon ) and up to the left, a dimensional door that forms part of the geography of the planet and is physical freeway (or symbolic) toward other dimensions and or realities…
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In the Time 12, we see an aspect of the technological metropolis of the history, a Panoramic vision of the city. In the center a building that is a (photo 12) Temple in pyramidal form, in the sky the 2 suns. The Temple is the center of the metropolis and ultimate motive for the citizen life .....
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In the Time 13, we appreciate a jewel of the technology of this civilization A plant of Nuclear Fusion that generates the energy for the Metropolis. The Structure; a pyramid of square base. The virtual walls, the solar energy Receivers at the peak and underneath the converters – activators. The (photo 13) Commodity ( raw material ): the water, the unit dissociates it in its elements, extracts the Hydrogen and this is sent to the chamber of fusion to generate Helium. The energy that is generated (by defect of mass) in the chamber of fusion (whose form is a regular tetrahedron ) is administrated and distribute (transmits) to the receivers of all the city. Our protagonist recalls the REGULAR TETRAHEDRON, with the micro sun within. This is showed to her, in order to introduce, ( by means of this small technological jewel), what happens in the Universe, and how the Energy is generated everywhere…..
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In the Time 14, we realize how our protagonist associates the creation Of a Sun, (source of Energy, Life) with the geometric figure of the Tetrahedron, (photo 14) Recalls its instruction and carried these images to her town people and civilization...
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In the Time 15, she is educated on the mysteries of the Universe, and presence a total eclipse of the Yellow Sun and on the left side, an Astronomical Observatory. In this civilization, the astronomical knowledge is like an angular stone of the scientific Knowledge and our lady assimilates it and incorporates for their future terrestrial life…. This natural event is observed in all its colossal dimension, we mean, the young yellow sun eclipsed and an old giant red sun shining with a red dim light…. It is seen an Observatory at the edges of a great sea, besides the astronomers, and our lady behind a screen that explains the spectacle..
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In the Time 16, we see that she is invited to a visit a Natural Satellite Of The Planet, where is developed a technological base for the galactic expansion of that civilization. The spectacle is magnificent. (Photo 16) The air conditioned station, the firmament with the 2 suns, and on the background, far away, the dimensional gate ...
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In the Time 17, she is invited to witness a Rite that takes place when some of this civilization beings stops Existing in this level ( die ) and observes like the spirit of him is elevated In direction towards the dimensional gate (singularity. ..). She observes this and she will recall For his subsequent life terrestrial life all the details ….. like the pyramid construction, the body that rest inside and his spirit that it “flies” and connect him with the Universal Harmony. ...
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In the Time 18, our princess is taught about the Symbolic representation of the Infinite Love that the Universal Harmony presents us. This is presented under the form of a Equilateral Triangle, with regular tetrahedrons attached to the angles, ...two in the upper part (on the upper angle), one on the right lower angle and the other on the left lower angle. The Infinite Love is represented by means of a Equilateral triangle with an eye in its center (of the Universal Harmony) that spills, distributes and at the same time himself retro feeds with the love of the Ancestors (the two superiors) that of the companion/to (lower right) and that of the son (lower left). The Love is one, unique, the Love towards the one that gave us the being (parents), towards the one we choose to our companion, and finally the one to whom we give life, our sons, children…. The Trilogy of the Infinite Love, that comes us at the same time of the Universal Harmony (the eye. ..). The tetrahedrons we appreciate are the symbology of the Being, since when the Tetrahedron is the representation of the atom of Carbon, with the four atom links toward the vertexes of the prism. ... She recognizes, understands and accepts the sense and she will incorporate this knowledge to her future terrestrial life
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In the Time 19 she is taken towards a temple where one makes him understand a Fundamental Truth in the Universe: The Truth is Only, the only one, in spite of The infinite points of view that we we all could have, from the different ones (photo 19) Perspectives.... That forces us to be tolerant with the appreciations of the others, to his points of view, which after all they lead to the same Truth, to the same Recognition of the infinite Truth.
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In the Time 20 she is taught about the effect that the Being rises towards the Infinite Harmony, whenever he shares his knowledge and gifts in the spiritual Plane, and also his possessions in the material plane. In top left Angle we see two beings, one full of virtues (target) And other with less or few ones (black). Then the one that more has transfers towards the one that less has, then both come to a spiritual state of major energetic level that offers to them a perfect balance and satisfaction, both are projected (the one that gave and the one that received), towards the Infinite Harmony. Our protagonist sees it, understands it and remembers it....
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In the Time 21 she is taught about how the Infinite Love (Universal Harmony)is capable of performing wonders…. The presence of a top being (Equilateral Triangle, the Infinite Love) makes to turn the disorder (top left angle) into ORDER, which in the Creation of the Universe (as expression of Love) ... It is as well as there are generated the Stars (top right angle), the PERFECTION (center, right hand, visualized as a crystalline structure) and finally the THINKING MATTER, which understands all this. She sees it, assimilates it and she will apply it in her future life.
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In the Time 22, she attends to an altar that is part of a Temple, where she is taught about the " law of the opposite " (or of duality), that reign in the universe, or, as well as so that exists " black ", must exist "white”, so that it exists “good” (HORUS), “bad” must exist too ( SOBEK) So that she understands it, they materialize in front of her, in the altar, the birth of a star (left, white tetrahedron, " Horus ") and nearby on the other side a black hole (collapse, end of a star) black tetrahedron, " Sobek ". This law also is applied to the intelligent beings.
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In the Time 23, we see as our protagonist is "initiated", after the learning period, to be able to transmit all the knowledge acquired in her fantastic trip, among her civilization citizens. After this ceremony, she will go will (return) to her land with all the scientific and mystical knowledge to spread them out among her people.
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In the Time 24 she is prepared for her comeback trip. With all the acquired knowledge, she sees and synthesizes in the pyramids, everything learned.....
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In the Time 25 we see how she welcomes to our planet earth all the knowledge she acquired. The place chosen to leave the educations: the valley of the Nile.Again, the knowledge and wisdom that comes to us is represented by a pyramid. This will be the place, the geographical ambience in our planet, which will receive in the advent of an epoch of advance for the Human Race. The managers of taking forward such a crusade: The Wise People of the Ancient Egypt, where the Nile will be a witness and protagonist of the advent of a key epoch in the Human Race, to be projected to the conquest of the Universe.....
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In the Time 26 we see an allegory of how the Knowledge Perfection and Infinite Love t chose the grounds of the desert to illuminate the Humanity. In this work it is played deliberately with the planes and perspectives to mean that the Knowledge comes to us equally, in spite of the human imperfection.....
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In the Time 27, she already occupying relevant charges in the government of her people, supervises the construction of formidable monuments that reminds her those that she had seen in her fantastic trip....Ahead, in the top right angle there are seen the plans of the above mentioned building, which were brought and interpreted by her for her architects, and below the work, the construction, the thousands of workers the incredible of the project, done by human hands, with human intelligence with projects beyond of the human capability.... The end that these monuments chase: to serve as Temples and Ritual centers to reach the Knowledge and the Life of Further away, in addition to sacred places of life after the life for pharaons…
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In the Time 28, we see another jewel of the architecture. In the Saquara Complex, one of the most prestigious architects of her civilization interpreted and constructed a stepped pyramidal monument, shining and grand. A state of the art of Imhotep, architect, priest and wise famous who managed to interpret the plans and mystical knowledge brought from her.... The complex, as a whole, in addition of being a place of funeral rituals, a real quantum machine.....
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In the Time 29, we see a festive day in this civilization. The pyramidal monuments, the temples of the complex .... inside one of them, a device that allows the passage towards other dimensions .....
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In the Time 30 she is seen presiding over a ceremony in front of her people. At this point she was already crowned and with the symbol of the power in her hands, evokes rites that elevate their spirit at mystical levels, agreed to the circumstances .
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In the Time 31 we see her celebrating in one spectacular night, the annual Flood of the River Nile. Also the Nile represented in the Nocturnal sky by the Milky Way.....
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In the Time 32 we see how she sails by the Nile, with temples and monuments to both borders, during holidays, on board of her boat, like enjoying her kingdom and thanking for the Gods that blessed their earth.
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In the Time 33 we see her celebrating within one of her temples, the Ritual of opening of the Dimensional Door, that allows to her and the chosen priests of their town, to accede at incredible levels of realities further than our known dimension... almost as she experienced it in her fantastic trip....In our tale, we perhaps let slide the probability that this opening also is verified in a physical plane, in the proximities of the Great Nebula of Magallanes, in the Constellation of Orión....
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In Time 34, we see another detail of as our princess it drives the dimensional door, according to instructions learned during its fantastic trip, also obtaining that this opening is verified in the constellation of Orión...
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In Time 35, we see a representation of how they managed, within one of the pyramid of Giza (Keops), the interconnection or the passage of the soul of the initiate, to bring their realities towards other dimensions, by means of the contemplation of Syrian and directly directed towards the constellation of Orión . We gamble with the perspective, the pyramid is observed from its top, despite seeing the curved horizon, to the distant spot like representing the distortion that the event causes, and to a flank our princess, invoking the brought rites of her trip, aid to the initiate (and also in funeral rites to the soul of the Pharaoh) to obtain the passage towards the other reality... She understands the texts (superior angle straight) that only she and the priests interpret and execute....
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In Time 36, we see a representation of a summary recount of the event of the passage of the Pharaoh´s passage into his life of ultratomb, This is also related to the passage (through the Dimensional Door) of the initiate to that world species that she lived in her trip.... It is as well as sarcófago of the late Pharaoh, the activation of the dimensional door, the arrival to the DUAT is observed (symbol), the arrival to the planet of its trip, the activation of the tetrahedron that generates life and finally... the birth of a star, because wise that whenever a Pharaoh died, a star was born in the firmament.
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In Time 37, we just see a representation of the DUAT, located behind the dimensional gateway that is opened in the constellation of Orión, and is directly refer to the planet, that she knew, during her fantastic trip…...
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In Time 38, she remembers the AMON – RA images, as they are known in the universe, the center the Yellow Sun, sun of our home, but also the red giant, pale the blue-celestial and underneath small and very powerful white.... all these forms identify the same God that gives life and fertilizes each corner of the universe.....
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In Time 39, we see a scene of the daily life of our princess. From her palace facilities contemplates a dusk in its reign. In the horizon (AKHET, that is the horizon where the sun emerges and hides) we see the last brilliance of the sun that this returning to the underground world, (ABTU, or ABYDOS)luego to underneath unfold its energy during the day.... Inside her room, her cat lying on her bed and her great swimming pool (SHE), worthy of a princess like her....
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In Time 40, we see a scene of the desert, where the presence of a Obelisk (tentatively on an end of a platform) tributes worship to the SUN (RA) flanked by the 2 mountain tips renders (DJEW) the western MANU and the Eastern BAHKU. The obelisk finishes in a pyramidal figure of NEBU (gold)
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In Time 41, we see the ruins of a temple in a scene of the desert. The stones of TALATAT, the Akhenaton´s favourite, witnesses of which are dumb was left centuries after shining and collaborating to illuminate the all Wise Egyptian town.... The continuous life, the desert, Sol (RA) the new inhabitants...until a new history….
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Conclusion:

I pay tribute to all the Egyptian Civilization, town chosen from immemorial times to plot an unequivocal course of CULTURE and KNOWLEDGE, cradles undisputed of but the important philosophies and contemporary religions, inspiration of mythical epic civilization of wise towns that happened in the time and creators in greater measurement (along with other cultures) of all the contemporary scientific knowledge.


Dan Aug

© Copyright DanAug, 2004-2010 (Daniel Augusto Chiesa)
Montevideo - Uruguay - South America